
If I had to go back in time and start a brand-new career, what would it be? That’s a fascinating question. And I’m not sure I have only one answer.
Ever since I could remember, I have always wanted a “creative” career, whether that was in art (I always wanted to draw cartoons—or even be a cartoon. More on that later) or music (learning an instrument and playing in a band like The Beatles) or becoming an actor for television and movies.
Perhaps, if I could go back in time, I might have pursued a career as an artist/illustrator or a cartoonist. As a young boy, when everyone went to bed, I would stay up into the early morning hours sitting at the dining room table with pencils, magic markers, and paper, just copying, freehand, the illustrations I saw in all the Mad Magazines I collected. That era of Mad Magazine featured some of the most talented illustrators and cartoonists, like Mort Drucker, whose specialty was caricature, and Don Martin, with unique, stylized characters in zany situations. Many other talented artists were contributing to Mad Magazine during that era, including Paul Coker Jr., Al Jaffee (the back cover fold-ins), Jack Rickard, Dave Berg, and Sergio Aragones’s “Drawn Out Dramas,” —little drawings that filled the margins of pages throughout every Mad issue. I was emulating each artist’s unique style, learning the economy of lines and shapes and how they went together to form an image. For me, it was like my own little master class in cartooning.
And then, I discovered The Beatles. I wanted to play music like The Beatles. If I could go back in time, I would seriously consider a career in music. I was attracted to drumming for some reason, and similar to copying Mad Magazine Illustrators, I copied Ringo Starr’s drumming that I heard on all those Beatles hits. My big sister was a Huge Beatles fan, and would play Beatles 45s for hours up in her attic dorm bedroom. I would sit at the bottom of the stairs and listen and drum with my hands on my knees, perfecting the timing and hand coordination to keep a beat. So, in a way, Ringo and other “British Invasion” musicians provided my masterclass in drumming. My parents couldn’t afford to buy me a drum kit, and I never had formal training except for a few lessons using a rubber pad and drumsticks. Later, as a teen, with the help of my friend, Ron, I learned to play his bass guitar after he started playing rhythm/lead guitar. Eventually, I played well enough to join a garage cover band with Ron and other friends and spent my teen years playing live music. It was during that time that I discovered I could just sit behind a drum kit and play, applying the techniques I learned by listening to Ringo. Of course, I was NOT Ringo by any stretch, and nowhere near as good as our drummer in the band, who is still, to this day, one of the best drummers I’ve ever heard. I have since taken up music as a hobby, teaching myself guitar and even trying my hand at the keyboard, and writing, playing, and recording songs with the help of my computers.
If I could go back in time, I believe, if I applied myself totally to the craft, I would have been a successful full-time actor. I love the craft of acting, the ability to perform and entertain, to create characters for a living, and working with other like-minded, talented people would have been an incredible life. As I mentioned earlier, I either wanted to draw a cartoon or become one. Which meant if I couldn’t draw them, then creating and voicing cartoon characters was always a high goal as an actor. As a kid, I never watched Saturday morning cartoons to be entertained. I was intrigued by the characters. When I found out that Warner Bros. used only one actor, Mel Blanc, to create and perform nearly all of those lovable characters like Bugs Bunny, Daffy Duck, Sylvester the cat, Tweety Bird, Foghorn Leghorn, and many more. Daws Butler was an actor who did the same for Hanna Barbera, giving life to Yogi Bear, Huckleberry Hound, Quickdraw McGraw, Snagglepuss, Dixie and Mr. Jinx, Cap’n Crunch, and on and on. However, I soon learned the full-time job of being an actor requires total commitment to practicing the craft every day, acting classes, seeking employment through auditions, dealing with constant rejection, supplementing an income with other temp jobs (waiting tables, part-time retail jobs, etc) in between acting gigs, in reality, was something I didn’t have the patience for. And besides, as a young actor, I wasn’t particularly good-looking or photogenic, which was a big deterrent at the time.
In my actual career in radio, being a good communicator was mandatory, but being an actor in radio was extremely helpful. And fun! The acting skills and techniques I learned from watching TV, movies, and more specifically, cartoons, have been applied to my job in broadcasting and voice acting for over 45 years. My daily job was on-air DJ or “radio personality,” but I was also able to carve out a rewarding career as a voice actor. Through the years, I was also able to perform in lots of community theater productions to hone my skills as an actor and have the joy of entertaining a live audience. Today, although retired from the daily radio broadcasting world, I continue my career behind the microphone as a voice actor, with a few acting jobs in short films and TV commercials along the way. I have spent 45 years voicing local and national radio and TV commercials, industrial narrations, promos for national TV stations, satellite and internet radio, and yeah, even a few animations. It’s been a rewarding career that I am so grateful for. No fame or fortune, just a fulfilling experience using all the self-taught skills and techniques I learned in a lifetime of art, music, and creating characters, in a full-time career that I would go back in time and do all over again.